深圳山务
13年专注无线充电
深圳山务
13年专注无线充电
Natural cork as a base is the deliberate choice here: a rounded rectangular cork block in warm oat beige, its speckled grain clearly visible and its surface dry to the touch. From its rear a slim matte black aluminium post leans gently back and a short arm reaches out at the top, ending in a vertical magnetic face toward the viewer, so the phone attaches flat with a completely black screen. On the cork top the smartwatch lies directly flat with its face up and its band closed into one loop, beside a sealed white earbud case. Cork and matte black metal make a soft, matte pairing.
Aimed at the executive desk: a shallow rectangular tray lined and wrapped in espresso leather with neat stitching along the seams and a very thin brushed brass frame. A leather-covered panel rises at the rear, clearly taller than the front rim. The phone stands in the tray against that panel, screen facing the viewer and completely black; in the front half the smartwatch lies perfectly flat with its face up and its band closed into a seamless loop, beside a sealed white earbud case. Leather and brass give electronics the vocabulary of desk stationery.
A bedside night lamp and a three-in-one charger folded into one object: a frosted glass globe floats above a slim ceramic column whose front carries an almost flush magnetic pad, so the phone attaches with its screen facing the viewer and completely black. A short stem on the right holds a small round pad where the smartwatch lies perfectly flat and level, glass face up, its band closed into one seamless loop. A sealed white earbud case rests on the ceramic disc in front. Matte ivory glaze, a warm glow from the globe and softly rounded edges throughout, with no cable in sight.
The idea is a bedside clock fused with a desktop base. A low wedge of matte dark grey aluminium carries a slim amber light strip across its sloped front as a time readout. On the right half of the top a gently reclined magnetic pad holds the phone, its screen facing the viewer and completely black; on the left a shallow circular recess lets the smartwatch lie flat with its face up and its band closed into one loop. A sealed white earbud case sits beside it. Every edge is softened, and the low wide body keeps the centre of gravity firmly on the desk.
A foldable charging mat made for travel. A tan full-grain leather face over a dark grey microfibre back folds along its middle into a small open book: the front leaf lies flat as the base, the rear leaf rises at about sixty degrees as a backrest, and a dark anodised aluminium spine joins the two. The phone leans on the upright leaf, its screen facing the viewer and completely black; on the flat leaf the smartwatch lies directly flat with its face up and its band closed into a seamless loop, next to a sealed white earbud case. Softly finished edges, and it folds down to the thickness of a book.
A brutalist take: fine grey architectural concrete cast into a low round puck with softened edges and a flush brushed aluminium trim ring. A slim aluminium post rises from the rear edge and ends in a small round magnetic face turned toward the viewer, so the phone hangs with a completely black screen and its lower edge free in the air. In front, the smartwatch lies directly flat on the concrete with its face up and its band closed into one circle, beside a sealed white earbud case. Concrete grain against polished metal, with a heavy low centre of gravity.
A single twelve-millimetre sheet of smoked optical acrylic bent into a soft L: one leg lies flat as the base, the other rises at about seventy degrees as the front panel, with every edge polished so light leaves a clear bright line along the rim. The phone rests against the panel with its screen facing the viewer and completely black; on the flat base the smartwatch lies perfectly flat with its face up and its band closed into a seamless loop, next to a sealed white earbud case. The transparent structure all but removes the sense of weight while keeping the stance stable.
Inspired by the 2026 return of metal-and-natural-material finishes in premium charging accessories. A thin bamboo veneer is laminated onto a matte champagne aluminium frame, and one folding panel gives the dock two postures: closed it reads as a flat desk mat, opened it becomes a 15-degree phone stand. The phone floats magnetically on the upright face, the watch charger is shaped as a slightly domed coin, and the earbud tray is a sunken oval — a recess rather than a raised lip, so dust has nowhere to gather. A same-colour alloy hinge leaves no visible seam when closed.
Built for households juggling two phones and a watch. The column is 8mm sandblasted silver aluminium held steady by a weighted base. The two magnetic pads sit at staggered heights so neither blocks the other during pickup, while the watch puck moves to the side to keep the front elevation one clean line. The hardest part was routing: the USB-C lead exits through a recessed channel at the rear of the base, so nothing shows from the front. Standing the product up also keeps desk footprint to a minimum and avoids the dust that collects on flat charging pads.
The starting point is the clutter of a desk that needs one device to do everything. A slice of walnut forms the top lid with the phone charging zone set straight into the grain, while a slim arm rises at the rear to carry a second phone and the watch puck. The earbud tray is a chamfered recess cut into the wood, so the buds go in without looking. One side of the cylinder is perforated metal grille housing a full-range driver, and a warm-white breathing ring glows at the base — it pulses when a phone lands, confirming the charge without checking the screen. The cylindrical body doubles as the bass chamber, saving a separate speaker on the desk.