深圳山务
13年专注无线充电
深圳山务
13年专注无线充电
A disc plus a column is an old arrangement, but the materials change its character completely. The base is cut from pale travertine that keeps its fine open pores and sediment lines, its rim softly rounded. The column is turned from solid brass, brushed and left to darken slightly. Near the top a short angled stem carries the round charging pad and the phone clings to it, screen forward. Watch and earbud case both come down to the same disc: the watch flat on the front right, the case on the front left, none of the three blocking another, so the layering still reads clearly from a high three-quarter view. The weight of the stone also keeps the whole stand steady on the table.
Speaker, ambient light and charging folded into one bedside object. The body is a plain cylinder: the lower two thirds wrapped in a fine oatmeal textile, the upper third a matte black anodised sleeve that opens at the top into a soft warm-white halo. A small round magnetic pad hangs on the side of the cylinder just below the halo, holding the phone screen forward. The earbud case drops into the top inside the halo, its white a clear step brighter than the body. The cylinder sits on a low, wide black aluminium disc that stretches out to the front left, and the watch lies flat there with its band closed into a full loop. The whole nightstand needs one footprint.
A low sweeping ramp forms the whole body: a flat oval foot sits on the desk, rises gently and closes into a soft rounded crest. A magnetic disc is concealed inside the crest, and a 6.1-inch phone leans back along the curve with its screen turned toward the viewer. Halfway down the ramp a shallow round recess is cut into the surface, and a 45 mm smartwatch lies perfectly flat inside it, glass up, reading from the camera as only a thin dark sliver with its closed band. An oval groove at the foot takes a closed white earbud case so that it sits flush with the ramp. The body is sandblasted graphite-grey anodised aluminium with a walnut inlay running along the crest, both materials rounded at every edge, and the cable is entirely internal. The silhouette reads as a flattened chute rather than the usual upright tower.
The three-in-one hides inside an open hardcover book. The book lies flat on its back with the front cover lifted about sixty degrees as an easel, and the phone leans against the magnetic pad on the inside of that cover, screen outward and slightly tilted up, held at a comfortable viewing angle. A shallow circular recess is cut into the flat face of the page block, where the smartwatch lies perfectly flat with its glass up and only a very thin outer rim showing, and an oval groove on the same face takes the closed white earbud case. The shell is wrapped in deep navy woven cloth with a fine blind-embossed geometric pattern and trimmed with slim matte-silver edging, and no lettering appears anywhere. Every functional part sinks into the thickness of the pages, so the whole thing closes into a book.
A three-in-one made for the car. The body is a slim matte black anodised aluminium backplate with two rubber-lined vent claws folded behind it, and a magnetic disc on the front face where a 6.1-inch phone snaps on, screen outward and tilted slightly back. A short arm folds out from the right side of the plate and ends in a small square pad where a 45 mm smartwatch lies perfectly flat, glass up, its seamless closed band hanging in a clean loop; the pad is kept clear of the case so nothing covers it. A soft slot below takes the closed white earbud case, which sits brighter and whiter than the panel and becomes the only highlight on the black body. Every contact surface is matte grey silicone, all edges are radiused, and the cable stays hidden.
The whole product is a single polished stone. A frosted translucent glass body in milky grey-white carries a soft satin sheen, and every edge is ground round as if worn by water. A broad flat face on top conceals the magnetic disc, and the phone rests on it at a very slight recline; a shallow round recess falls away on the lower shoulder, where the smartwatch lies perfectly flat with only a thin dark rim and its closed band showing. An oval hollow is scooped out at the front foot for the closed white earbud case, which sits almost flush with the stone. A ring of natural cork underneath hides the cable and lifts the glass off the desk. There is not one straight line or sharp corner in the object.
A flat matte black aluminium disc is the base, and from its rear rim a curved arm of pale ash wood rises, unfolds forward and tapers down into a concealed magnetic disc, so the phone hangs from that single bend with its screen turned to the user. The thickness and curvature of the branch are balanced for load rather than made bulky, which keeps it visually light. A shallow round recess on top of the disc is reserved for the smartwatch, which lies flat with its glass up and its seamless closed band flush on the surface, and an oval groove at the front edge takes the closed white earbud case level with the disc. The ash is finished with a silky oil and hand-sanded rounds, the aluminium is sandblasted, a fine shadow gap separates the two materials, and the cable leaves from under the base.
A single perforated panel carries the whole body. An anodised warm grey aluminium plate about two thirds the height of the phone is pierced edge to edge with a fine regular grid of round holes, its top corners rounded, standing on a thin matching base plate and leaning back at about seventy degrees. The phone rests on the front with its screen facing the viewer and completely black; on the base plate the smartwatch lies directly flat with its face up and its band closed into one circle, beside a sealed white earbud case. The regular grid gives a fine material rhythm and makes the panel read far lighter than a solid one.
A cylindrical speaker stands on a low rounded base plate: the barrel is wrapped all round in charcoal acoustic weave and capped by a brushed aluminium disc with a chamfered rim. The phone leans against the fabric barrel with its screen facing the viewer and completely black; on the right half of the base the smartwatch lies directly flat with its face up and its band closed into one seamless loop, beside a sealed white earbud case. Woven textile, brushed aluminium and matte metal line up across one object that serves both listening and charging.
Carved from a single piece of pale oak: the main slab narrows as it rises and traces a soft curve with the grain, all edges rounded and the surface sanded silky, seated at about seventy-five degrees on an oval foot of the same wood, with an almost flush magnetic pad sunk into its face. The phone leans on the wood with its screen facing the viewer and completely black; on the oval foot the smartwatch lies flat with its face up and its band closed into one seamless loop, beside a sealed white earbud case. Not a single screw, with the wood's thickness and curve carrying the whole structure.