深圳山务
13年专注无线充电
深圳山务
13年专注无线充电
The idea comes from the Chinese inkstone. The body is a thick, low round disc whose rear half is scooped into a broad cove that leaves only a gently curled lip for the phone to rest against, while the front half is cut by a deep diagonal slot that swallows the lower part of the phone at about seventy degrees with the screen facing out — the slot alone holds it, with no clamp and no arm. A thin brushed-brass ring is inlaid flush on the right of the disc and the watch lies flat inside it; a shallow saucer on the left holds the earbud case. The body is matte ivory-white polycarbonate with soft rounded edges, and the brass appears only as a slim inlay rather than a broad polished surface. A hairline warm-white light seam runs under the base so the disc seems to lift slightly off the table.
A truncated four-sided pyramid gives the body its shape — a broad-based, narrow-topped trapezoidal block whose four slopes rise gently inward. The face turned towards the viewer carries a shallow inset tray; the lower half of the phone settles into it against the slope, screen forward, its bottom edge caught by a narrow forward-projecting ledge. A small level platform on the top takes the watch, its band spread out flat to both sides, and a tall slot cut through the side wall holds the earbud case lying horizontally, half sunk into it, so the white shell stands out cleanly against the dark body. The body is matte graphite-grey polycarbonate with a slim champagne-gold band at the base and a warm-white light seam beneath it, which keeps the heavy block feeling light.
The body reads like an opened shallow rectangular trough: a very wide, flat floor, a front wall kept deliberately low, short side walls, and a tall back wall that rises high and leans slightly inward. The phone stands at the centre of the floor with its back against the inner face of the tall wall, screen outward and fully visible above the low front wall. The right half of the floor is deliberately left open for the watch, which lies flat there with its band spread out along the floor, and a shallow round recess on the left holds the earbud case. Matte charcoal-black polycarbonate forms the whole body, with brushed silver lining the inner face of the back wall and a cool-white light seam under the base. The low front wall makes the phone screen the focus, while the tall back wall lines all three devices up on one axis.
One piece of material is bent continuously into the whole body, with no joints: a wide, thin base plate rests on the table, its rear edge sweeping upward and curling forward again into a tall concave wall that overhangs slightly at the top like the crest of a wave. The phone settles inside that concavity, its lower edge on the base plate and its back against the lower part of the curved wall, the screen facing out and the curve carrying all the support. The right half of the plate is left open for the watch, which lies flat, while a shallow round recess on the left holds the earbud case. The body is matte deep navy polycarbonate, with an extremely fine champagne-gold line inlaid along the curve where wall meets base and a cool-white light seam underneath. Because the curve itself carries all the support, there is no clamp and no arm — the line runs unbroken from base to crest.
Three flat slabs are stacked into a small staircase. The lowest is the widest and thinnest and lies flat on the table; the middle slab sits on its rear portion, pushed back and narrowed so that a clear step remains; and the top slab is pushed back and narrowed again and stands much taller, its front face almost vertical, forming the phone's back rest. The phone rests its lower edge on the middle slab and leans on the top slab with the screen facing out. Because the lowest slab is given over entirely to the devices, its right side stays clear for the watch, which lies flat there with its band spread out, while a shallow round recess on the left holds the earbud case. The body is matte warm-greige polycarbonate, with a brushed brass line along the front edge of every step and a warm-white light seam underneath, which makes the staggered heights read more clearly.
A thin blade bent by the wind suggested the silhouette: a matte charcoal-black oval tray whose rear edge sweeps up in one continuous motion into a slender crescent fin. The phone rests its lower edge on the tray and leans its back flat against the inner face of the fin, its black screen turned to the viewer, closed by a slim light bezel; the whole body stays around twelve millimetres thin with fully rounded corners, reading as precision electronics rather than an ornament. The watch lies face up on the level charging pad to the left, its silicone band lying flat on the surface at either side of the case with the buckle down, neither looped upright nor lifted. The earbud case sits in a shallow recess at the front left, matte white with a single fine lid seam. A narrow dark-grey anodised aluminium trim joins fin and tray so the meeting of the two surfaces stays crisp.
The usual solid base is hollowed out into a flat ring, open through the middle, which strips away most of the visual mass. The ring is matte ivory-white polycarbonate with a single hairline champagne-gold trim around its outer edge, and its inner wall rises gently into a low arc at the back that serves as the phone's support, so the phone's lower edge still rests firmly on the platform inside the ring rather than floating or dropping into a slot. The watch sits on the level charging pad on the right of the ring, square case, black glass face up, its band falling short and flat onto the ring surface, the whole watch staying low so that its glass face is the highest point. The earbud case nestles into a recess at the front edge of the ring, a plain white rounded box, lid closed flush along a single fine seam.
The form is taken from a sail caught open: a thin panel rises from the rear of the base, wide along its bottom edge and tapering to a flat top, standing almost vertical with only the slightest lean, reduced to a single contour line. The phone rests its lower edge on the base and lays its back against the front face of the panel, screen toward the viewer, its rear camera module fully hidden behind the panel so that from the front only one sheet of matte black glass shows. The base is a matte black polycarbonate oval closed with a brushed silver trim. The watch lies flat on the front left of the base with ample room around it, its band lying flat at either side of the case and staying well inside the edge, while the plain white earbud case sits in a shallow recess at the front right, its lid seam even and its surface free of any marking.
A round tube sliced away along its front leaves a single curved shell, and the concave inside of that shell is exactly where the back of the phone settles. The shell is matte graphite-grey polycarbonate with a fine dark-grey anodised aluminium rim at its mouth, while the base is a flat oval tray in the same family, shell and tray closed as one continuous edge with no visible seam between them. The phone rests its lower edge on the tray, its matte black screen facing the viewer. The watch sits on the level charging pad to the left of the tray, its band laid flat against the surface at either side of the case with no end reaching past the edge. The earbud case takes a recess in the front of the tray, plain white and shut flush, setting a clear step of brightness against the grey body.
The base is drawn as a shallow oval tray whose rear rises gently into a low wedge, like the soft slope left on sand after a tide retreats. The phone rests its lower edge on the flat front of the tray and leans its back on the incline, screen toward the viewer, the incline flowing into the tray without any abrupt shoulder. The whole body is matte warm ivory-grey polycarbonate finished with a slim champagne-gold trim running the full edge, thin and precise. The watch lies on the open flat area at the left of the tray, square case face up, its band spread flat on the surface with the buckle set at the same height and never rising above the glass. The plain white earbud case sits in a recess on the right, lid closed along a single fine seam, with no printing or icon anywhere.