Structure, materials and finish — the design thinking and inspiration behind the wireless chargers we build for brand clients.
A single twelve-millimetre sheet of smoked optical acrylic bent into a soft L: one leg lies flat as the base, the other rises at about seventy degrees as the front panel, with every edge polished so light leaves a clear bright line along the rim. The phone rests against the panel with its screen facing the viewer and completely black; on the flat base the smartwatch lies perfectly flat with its face up and its band closed into a seamless loop, next to a sealed white earbud case. The transparent structure all but removes the sense of weight while keeping the stance stable.
Inspired by the 2026 return of metal-and-natural-material finishes in premium charging accessories. A thin bamboo veneer is laminated onto a matte champagne aluminium frame, and one folding panel gives the dock two postures: closed it reads as a flat desk mat, opened it becomes a 15-degree phone stand. The phone floats magnetically on the upright face, the watch charger is shaped as a slightly domed coin, and the earbud tray is a sunken oval — a recess rather than a raised lip, so dust has nowhere to gather. A same-colour alloy hinge leaves no visible seam when closed.
Built for households juggling two phones and a watch. The column is 8mm sandblasted silver aluminium held steady by a weighted base. The two magnetic pads sit at staggered heights so neither blocks the other during pickup, while the watch puck moves to the side to keep the front elevation one clean line. The hardest part was routing: the USB-C lead exits through a recessed channel at the rear of the base, so nothing shows from the front. Standing the product up also keeps desk footprint to a minimum and avoids the dust that collects on flat charging pads.
The starting point is the clutter of a desk that needs one device to do everything. A slice of walnut forms the top lid with the phone charging zone set straight into the grain, while a slim arm rises at the rear to carry a second phone and the watch puck. The earbud tray is a chamfered recess cut into the wood, so the buds go in without looking. One side of the cylinder is perforated metal grille housing a full-range driver, and a warm-white breathing ring glows at the base — it pulses when a phone lands, confirming the charge without checking the screen. The cylindrical body doubles as the bass chamber, saving a separate speaker on the desk.
This one works backwards from the annoyance of packing three cables for a business trip. Folded, it is a rounded capsule the size of a glasses case in soft-touch matte grey with a slim brushed aluminium rim; unfolded, it forms an L-shaped cradle. The phone sits magnetically on the tilted face, the watch charger flips out on a small hinge, and the earbuds drop into the front recess. A woven fabric loop on the side lets it hang from a carry-on handle, and the single USB-C port tucked into the side feeds all three devices from one cable.
The goal was to leave only one object on the nightstand. So the charging station is built entirely into the lamp base: a matte black stem rises from the centre of a circular base and curves into a suspended ring diffuser that casts amber light down onto the base — enough to move around at night without the main light. The base top is pale sandblasted aluminium, divided into one large and one small charging zone plus a groove for earbuds, so phone and watch each have their place. Controls sit slightly dished, flush with the surface, so they can be found in the dark, and a silicone anti-slip ring under the base keeps the whole lamp from tipping when a device is picked up one-handed.
